There are two strains to cultural revivalism. On 2008's Terra, fado heroine Mariza took to extremes the brand where one breathes new, but altered, life into a tradition. This time around, she took up the other kind: reenactment. No pop beats or adult contemporary shimmers here, just straight-up sailor blues in traditional forms and melodies. Mariza passionately inhabits sounds older than her, her bittersweet, burnt sugar vocals calling out over simple, understated acoustic guitar and bits of bass. It's a gut-wrenching, if less accessible, realization of the revivalism that's made her career.